Teresa Livingstone’s Delighted is such a playfully sarcastic show where she seems to find new levels of social observationism to share with us.
Boorish Trumpson
Initially unassuming, Claire Parry’s Boorish Trumpson is an example of how art can surprise you.
Gracie and the Start of the End of the World (Again)
Have you ever wondered how sea creatures must feel about the destruction of their ecosystems? Well, Zoë Bullock’s Gracie and the Start of the End of The World (Again) might just answer that question. It’s a creative and funny story that balances the humour and devastating throughout.
Tom Greaves: FUDGEY
Going into the theater, we're all vaguely familiar with the fundamentals ingrained in British institutions, but our exposure to it is usually quite abstract and at a distance. Tom Greaves’ FUDGEY is a comment on the problem at the heart of British private schools and so brings an immediacy and additional layer of understanding to the flawed system within these institutions.
Rich Spalding: Gather Your Skeletons
Death and the afterlife are quite unlikely topics or sources of humour for a stand-up comedy show, just from the juxtaposition alone. Rich Spalding’s debut hour Gather Your Skeletons not only proves that this is a false premise - or at least the exception to the rule - throughout the rest of the hour, that is full to the brim of good-natured humour and amusement.
Kemah Bob: Miss Fortunate
Kemah Bob’s Miss Fortunate is a romantic’s journey into reality, that plays with different established norms and tropes to create a completely unique experience for us as an audience. This is also just a very fun - if slightly concerning- high-energy show where Bob uses different forms of comedy in order to craft this wild narrative.
Erika Ehler: I Got Some Dope Ass Memories With People That I’ll Never F*ck With Again
I Got Some Dope Ass Memories With People That I’ll Never F*ck With Again is the latest hour by Erika Ehler where, using her own experiences as a basis, she deconstructs the concept of friendship break-ups in a meandering, careful reflection of a show.
Showstopper! The Improvised Musical
Showstopper! The Improvised Musical is a Fringe institution. We walk in the room expecting a good time, to be thoroughly entertained by the cast’s antics onstage. What happens in that room becomes the stuff of legends and inside jokes.
Steve Bugeja – Shiny
Shiny is Steve Bugeja’s latest offering to the comedy world at the altar of the Edinburgh Fringe. The show adopts on a linear structure as he takes us on a journey through his school days, comedy career to achieving his dream of writing a sitcom. Through all of this, Bugeja engages in a commentary about the connections that we make between self-worth, career and achievements, critiquing the nightmarescape that we create for ourselves. It’s a relatable hour as we follow him down this path of self-reflection that speaks to a larger sociological and cultural issues and analyses. It gets to a point where we can’t help considering when we’ve had a similar experience, when - to use Bugeja’s terminology - we’ve felt shiny or matte.
Dan Tiernan: Stomp
Dan Tiernan returns to the Fringe with his tricky second hour, Stomp, once more terrorising audiences with his dark and forthright humour and the occasional twisted punchline.