Alex Kitson gives a rollercoaster of a performance in his new hour Now Look Here, weaving an overarching tale of the danger of focusing too much on the one dream in the form of 'the big light', tech’s contributions to the problem and the woes of a comedian without a social media following into a giddy and warm hour of good fun gags and SNL-worthy impressions. What occurs in the Big Yurt is one of those once in a lifetime Fringe performances that once seen will live rent free in our heads and will be remembered at the most inopportune moments.
Amelia Hamilton: Forget Me Not
Considering that Amelia Hamilton is the UK’s first rap comic, we expect a certain level of ingenuity as we step into the venue. Hamilton exceeds our expectations a hundredfold. With catchy beats, genuinely unexpected and agile lyrical deviations and turns, Hamilton’s Forget Me Not is an unforgettable comedy-rap remix of non-stop hits, both comedic and musical.Â
Josie Long: Now Is The Time Of Monsters
I left Josie Long’s Now Is The Time Of Monsters shell-shocked and with the understanding that I have greatly underestimated just how stand-up can make me feel. It’s such a powerful hour full of off-beat, effortless and deeply funny comedy, that speaks to something bigger and leaves us with a tonne of questions to reflect on to the point where we feel everything that Long says in the depths of our souls.Â
Holy Shit Improv!
Improv is difficult and subjective, more so than other genre. A performer really has to be at the top of their game in order to be even just halfway decent at improv, because there’s no one tool that they can rely on to move a scene forward. The quality of, improv mostly swings between two extremes, poor and fantastic. Holy Shit Improv can be safely considered the latter.
Rhys Darby: The Legend Returns
Starting as an off-beat and innocent comedy show that could be mistaken for stand-up, Rhys Darby’s The Legend Returns quickly devolves into unmitigated and hilarious chaos, covering everything from the feud between Australia and New Zealand to the next Olympics and the dangers of AI.Â
Gwyneth Goes Skiing
In Awkward Productions’ Gwyneth Goes Skiing, Linus Karp and Joseph Martin very much live up to the tenor set by the infamous trial on which this show is based on. What we see over the course of this production is an amalgamation of all the comedy and storytelling techniques that they have been refining over... Continue Reading →
Rhys Nicholson: Big Huge Party Congratulations
If there is one expectation and truth about Rhys Nicholson’s comedy shows, is that whatever happens in the room, whatever jokes are told, it will always be a memorable experience, and Big Huge Party Congratulations is no different.Â
Alexander Bennett: Emotional Daredevil
They say that there’s no genius without a touch of madness and Alexander Bennett’s Emotional Daredevil has both in barrels.
Holy Shit Improv
Improv is always a huge risk to go to as an audience member, just because there’s such a wild and fluctuating difference in quality that can occur. That being said, Holy Shit Improv is pretty much as safe a bet as you can make with this genre. I have never laughed as hard or for as long as I did during this show, there’s just no way to stop laughing at what occurs onstage.Â
MC Hammersmith: The MC Stands for Middle Class
MC Hammersmith’s The MC Stands for Middle Class is just about as good as it gets in terms of improvisation, music and comedy. It’s difficult to go back to listening just rap after this show, because what MC Hammersmith does is a lot more impressive than anything out there. Even Hamilton appears less ground-breaking after seeing this show.Â