Points of view: theatre, comedy and news
Starting as an off-beat and innocent comedy show that could be mistaken for stand-up, Rhys Darby’s The Legend Returns quickly devolves into unmitigated and hilarious chaos, covering everything from the feud between Australia and New Zealand to the next Olympics and the dangers of AI.
It is that time of year again to contemplate life, liberty and the pursuit of happiness in John Tothill’s new hour, This Must Be Heaven to the point of academic dissection.
Comedy is a rather complicated beast, and no show perhaps exemplifies the challenges that a comedian may face over the course of a show’s lifespan better than Alex Kealy’s The Fear. Whilst a classic example of observationist humour covering the political and personal spectrums, the number of contextual issues over the course of the hour outwith the material ultimately detracts from the overall performance and unrestrained enjoyability of the hour.
Pepper & Salt 