They say that there’s no genius without a touch of madness and Alexander Bennett’s Emotional Daredevil has both in barrels.

Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself is proof that you can really tie anything together to form a conspiracy theory and make it mean anything.  This is just a very fun show, where exaggeration and irony pervade the humour and create this comically spooky, mad-cap adventure. 

My MILF-Shake Brings All The Boys To The Yard is a sarcasm-littered show where Ellen unpacks and openly discusses everything from the concept of MILF-dom to therapy, using visual aides to signpost throughout her show. In the use of the doctor’s report, there’s almost an attempt to explain the context behind the words of this report. This show certainly goes in unexpected directions before coming round again with a logic maybe only Ellen can see. The topics aren’t always engaging, but they’re certainly unique. She comes up with these elaborate jokes that come together very creatively at the end, a payoff she spends the entire showing setting up.

Have you ever wondered how sea creatures must feel about the destruction of their ecosystems? Well, Zoë Bullock’s Gracie and the Start of the End of The World (Again) might just answer that question. It’s a creative and funny story that balances the humour and devastating throughout.

The journey of self-discovery and realization that Alexis Gay’s Unprofessional tries to takes us on is instead a forced show that tries to be more interesting than it actually is. Underlying Gay's main narrative of her time working in Silicon Valley and the professional culture that she experienced, is a an exploration of the correlation between self-worth and outside approval through the lens .